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Soft Cell's Musical Force Dave Ball Dies, at the Age of 66

Dave Ball and Marc Almond of Soft Cell
Dave Ball (on the left) formed Soft Cell alongside Marc Almond at Leeds in 1977

The talented musician, one half of the groundbreaking 1980s electronic music band Soft Cell, has died at the age of 66.

Together with vocalist Marc Almond, the duo scored a worldwide hit with their cover of Gloria Jones' Tainted Love in the mid-80s, and their debut album their initial full-length release is regarded as a seminal work of electronic music.

He later formed the pioneering techno group The Grid, who achieved popular acclaim with their 1994 single the hit Swamp Thing.

Ball passed away calmly in his sleep at his home in London on Wednesday 22 October, just weeks after performing a headline show with Soft Cell at the Rewind music event in Henley-on-Thames.

Health Struggles

During that show, Ball appeared in a mobility chair, as he had for the previous couple of years, following a period of ill-health.

"I ended up injure myself significantly," he commented in a recent interview. "I broke spinal bones in my back and fractured about multiple ribs and fractured my wrist."

Following catching pneumonia and developing sepsis, he was placed in an medically-induced sleep and remained in hospital for half a year.

Nevertheless, he had been in "high spirits mentally" during the warmer months, as he worked on a new album with Almond, called the upcoming Danceteria, which is set for release in the coming year.

"He was focused and so happy with the latest project that we actually completed only a short time ago," said the singer in a tribute.
"It's so sad as 2026 was all set to be such an uplifting year for him, and I take some solace from the knowledge that he heard the finished record and believed that it was a great piece of work."
Soft Cell performing in the early 1980s
The duo were at the forefront of the electronic music scene in the early 1980s

Tributes

Almond described his collaborator as "a wonderfully brilliant musical genius", stating: "He was the heart and soul of Soft Cell and I'm very proud of our legacy.

"Thank you Dave for being an immense aspect of my life and for the songs you created with me. I wouldn't be where I am without your influence."

Richard Norris from The Grid, shared his condolences, remembering Ball's "constant humor" and "steadfast support".

"Being in a duo with someone is different from joining a band, the bond is incredibly close," he continued.
"That's how it was with us. We experienced so many remarkable, extraordinary, life-affirming experiences as a team. Thank you, Dave."
Dave Ball in 2018
Dave Ball, pictured at BBC Radio 2 in recent years

Early Life

Brought into the world into a single-parent household in Chester in 1959, Ball was given up for adoption when he was a year and a half of age.

He was raised in Blackpool with his new family Donald and Brenda Ball, who changed his given name from Paul to David, together with his sibling Susan, who was similarly welcomed.

He encountered Almond at an art college in 1977, where they were both learning art. Fuelled by a shared love of Northern Soul, they established Soft Cell the very year, and promptly produced an extended play.

Musical Partnership

The duo were an distinctive pairing: Ball was the quiet musician, bent over his keyboard, while Almond was a charismatic performer, all glitter and eye-liner; but they attained a rare musical alchemy.

Ball had cultivated a fascination with electronic instruments after viewing Kraftwerk appear on a television science show a popular series, and started to combine moody electronic sounds to the catchy tunes Almond was composing.

Tainted Love became the United Kingdom's second most popular single of 1981, shifting millions of copies worldwide. Alongside successful tracks by Gary Numan, contemporary bands and electronic acts, it contributed to cleared the path for the electronic music style of the 80s.

The song was also featured on their full-length debut, Non-Stop Erotic Cabaret, which spawned two further high-charting singles: Bedsitter and Say Hello, Wave Goodbye.

They continued the album up with the stand-alone single, Torch, which reached at the second position in 1982.

Soft Cell in the studio
The duo were working on fresh songs until just before Ball's death

Professional Journey

Fame had its benefits. "I loved being able to afford my first home, having financial security and exploring, which makes me sound like a Miss World," Ball recently told with a music magazine.

But it also presented challenges. "Sudden riches allowed we could afford newfound drugs to relieve the monotony" of media interviews and TV performances, Ball said.

"I know that's a cliché, but it's a truism for a good reason, because it applies for so many musicians."

Amidst the party-filled existence, the pair were also growing distant, but they succeeded to create a second memorable record - the wayward, tense and aptly-titled The Art Of Falling Apart.

They released another album, 1984's This Last Night In Sodom, before dissolving the band to concentrate on other projects.

Almond proceeded to have a prosperous solo career, featuring the chart-topping single Something's Got A Hold Of My Heart; while Ball created The Grid, who mixed dance music with ambient pop over a long-lasting partnership.

Reunions and Final Projects

Soft Cell came back together in 2001, producing the Top 40 record Cruelty Without Beauty.

Following a further break, they returned in recent years, issuing the new tracks Northern Lights and Guilty (Cos I Say You Are) before staging what was supposed to be a farewell show at the large venue on 30 September, that year.

Yet, they stayed active, creating their latest project, Happiness Not Included, during the pandemic Covid lockdown.

Ball recently described the duo's new album as a tribute to the New York club scene they visited while making their initial records.

He added that his time in medical care had influenced the group's music.

"I had unusual memories when I was in and out of the hospital because I was on morphine," he told a publication.
"The new songs are a digital reflection of the noises in my mind from those days.
"Simultaneously, it's about the times we got up to in the 80s."

The last versions were completed only a short time before Ball died. It is due for release in the spring of 2026.

Written by

Austin Garcia

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